Alfred Hitchcock. Most notably known for his . . . wait for it . . . SUSPENSE films (they don’t call him the “master of suspense” for nothing, you know). While the majority of his films were suspense in genre, they always seemed to have a dash of everything else, too. I love Hitchcock films because you always get some comedy and (a lot of) romance with your suspense . . . it’s like a three course meal you just can’t get enough of.
However, this is not entirely about Hitchcock (after all, this is the HitchcockIAN blogathon). “What does “Hitchcockian” mean,” you might ask. Well, loosely translated, it is a film that is heavily influenced by the works of Alfred Hitchcock. The film I am about to discuss is very much a Hitchcockian film. It is none other than the “best film Hitchcock never made,” Charade. What’s that you say? Hitchcock didn’t make Charade??? *Insert gasp* No. No he did not. Charade was actually directed by Stanley Donen. More on him later. Onto our main topic . . .
Charade was released in 1963 and stars Cary Grant as Peter Joshua and Audrey Hepburn as Regina Lampert. It’s actually quite a star-studded cast, with costars such as: Walter Matthau, James Coburn, and George Kennedy. It is labeled as a Mystery/Thriller, which it is, but it is also full of romance and comedy. The film opens in the French Alps where Regina (Hepburn) is vacationing with her friend. It is there that she and Peter (Grant) bump into each other for the first time. After returning to Paris, Reggie finds her lavish apartment completely empty. The furniture, art, even her clothes . . . all gone. A detective shows up only to inform her that her husband has been murdered. This is where the thriller/mystery begins. She will meet a series of men in this movie, but who is there to help and who is out to get her?
The chemistry between Grant and Hepburn is great. Although Cary Grant, being much older than Hepburn (25yrs), would not kiss her, the romantic tension is to die for. Audrey’s character (and probably herself…as most of us ladies) did not seem to mind the age difference at all, and makes plenty of moves on Grant. A favorite scene of mine comes fairly early and involves a fun and hilarious game at a nightclub . . . for those who have not seen the movie (first of all, shame on you…get on it!), I will not go into detail and spoil it. I’ll just say, that is where the comedy and romance begin.
It is no surprise that Donen would choose Audrey Hepburn as his leading lady, seeing as how she was his favorite actress (according to IMDb, anyway). The two worked together previously on Funny Face (1957), and would later team up again for Two for the Road (1967). He would also work with Cary Grant several times during his career.
Honestly, I really didn’t know too much about Stanley Donen before writing this post. So let’s take a moment to learn more about him . . . Donen was actually a well known musical director for most of his career, directing films such as Singin’ in the Rain, Seven Brides for Seven Brothers, and Funny Face, just to name a few. I discovered that he was a dancer and choreographer on Broadway early in his career, which is where he and Gene Kelly met. The two would work together in Hollywood for a decade as choreographers and co-directors. Once musicals started to fizzle out in Hollywood, Donen would start to direct several other genres of films such as another very Hitchcock-like film, Indiscreet (1958), with Ingrid Bergman and our leading man, Cary Grant.
The suspense, the thrill, the romance and comedy . . . these are the many connections to Hitchcock There are certain scenes that put me in mind of Hitch’s style as well. For example, at several points in the movie, Peter Joshua (Grant) finds himself on a high point . . . a roof or ledge. This makes me think of films like Vertigo and even Rear Window, somewhat (keep an eye out for the big fall!). If you really want to understand how/why this film is “Hitchcockian,” watch it and see for yourself. There’s not a single dull moment throughout the whole movie. That, I can guarantee.
For more Hitchockian fun, visit the Blog of the Darned for the full Blogathon list, and plenty more of the “greatest films Hitchcock never made.”